I just posted a new music video for “The Forgotten Room” on my official YouTube channel. The endlessly shifting, multicolored spaces of a virtual labyrinth await…:)
I thought we’d bring things full circle and wrap up this half of Project: Archives the way it began – with a track from A Journey to the Centre of the Earth. This version was recorded live in the summer of 1988 at Pine Ridge Country Club in Wickliffe, OH. The recording quality is passable – there was never a studio recording done for this song, so this is the only version I have outside of an extended remix.
Buckle in, because this one’s quite a trip! “The Book of Magic” was the opening track to The Bard’s Tale and holds the distinction of being the most progressively-influenced and dual-natured song in my early catalog.
Podcast #1 – Covers the past, present, and future of Project: Archives.
Back with a new Project: Archives post! This one brings a little heat to a collection that was otherwise predominantly atmospheric and pensive. Unearthed Arcana’s “Dragon’s Lair” was another staple of my live sets and has the distinction of being re-recorded and remixed on three separate occasions over the course of three years (this original version, a version I recorded around the time of Mystic Visions that features the Roland drum machine I was using for that album, and a completely rebuilt version for a compliation of new material and remixes I did in 1989).
This week’s Archive offering invokes mist-filled landscapes and ancient mysteries – deep, serene forests where the voices of those who lived long, long ago might still be heard if you listen closely enough.
This week’s archeological find offers up a stately bow as well as a nod to the days of castles and kingdoms. Inspired by medieval music, The Kynge’s Delyghte was an early music ensemble piece I wrote back in college.
Composed entirely around layered rhythmic patterns, Panoramia‘s “Machine” puts percussion front and center as it draws inspiration from a rather unusual source: the industrial fixtures of a waterworks facility in Holland. This is one of a handful of completely melody-less songs I wrote, but the bass line almost acts as a kind of melody, giving what would otherwise be a very noisy piece some grounding in tonality.
This week we’ll explore the third track from my 1990 demo, a song that also appears alongside “Memories of Summer” on Images of Autumn. Daylight hours growing shorter, skies dominated with turbulent shades of grey…these are just a few of the signs that the icy winds of winter will soon be sweeping across the land.
Did you know…? …that there is more music lurking in the darkest recesses of the Archives than just my early instrumental work? Take this week’s song choice as a case in point. “After The Ball” is a previously unreleased Parlormuse track as well as the very first song I chose to play through in my collection of antique sheet music back in 2007. It’s a delightfully romantic – yet ultimately tragic – piece, and the version I’ve presented here hasn’t been modernized in the way that the other songs on “It’s Not The Coat Makes The Gentleman” were. Dust off your […]
Summer may not be here quite yet, but you can catch a musical glimpse of it via this week’s Project: Archives post. “Memories of Summer” was originally the lead-off track to my 1988 song collection Images of Autumn, but I also gave it a slight reworking and included it on my three song demo two years later. Ordinarily, every track on a themed album like this would be directly related to or reflective of its theme, but for this one, I decided to do something a little different. Rather than launch headlong into the moodier fare that I knew would play […]
With Easter right around the corner, I thought we’d do something a little different for this Project: Archives post. I’ve hidden 14 Easter Eggs throughout this site. Although they won’t be too difficult to spot, there’s no location that’s off limits when it comes to where I’ve hidden them. Why 14? Because that’s the number of tracks on my very first song collection (Unearthed Arcana), which is what you’ll find waiting for you, in its entirety, should you complete your task. PLEASE NOTE: The hunt will be active from now through 8am (EST) on Monday, April 17th, 2017. Have fun, […]
So let’s see…we’ve heard plenty of atmospherically experimental music emerge from the Project: Archives vaults, along with some traditional Irish music and even some flat out pop. How about some jazz fusion? :O This week’s track was written in 1990 to serve as the first song on my first official demo tape, and it represents the only time I ever went anywhere near this genre. You’ll find elements of rock, pop and funk in a lot of my material, but this one definitely catches me at my would-be-jazziest. Enjoy your test drive!
My Official YouTube Channel is now live! I’ll be posting music videos to accompany many of my Project: Archives songs, and a few other odds and ends might just end up there as well. To kick things ff, we’re going back into the silent, shadowy world of the underground. Many thanks to Plane9 for the visuals for this one!
The Haunt was my way of testing whether or not I could still write simpler, more atmospheric songs following the relative complexity and more structured approach of Mystic Visions. “Spirits in the Night,” the lead-off track, is a great example of this kind of return to form. This would be the last song collection to feature my original Yamaha portable keyboard – it was subsequently traded in for an upgraded model with full-size keys. A necessary step to be sure, but I definitely missed the slider-based sound programming!
As promised, here’s today’s second Project: Archives post! An unlikely moment of pop simplicity on an otherwise-multi-dimensional and genre-crossing album, this closing track from Mystic Visions was easily my most popular song of the period. I couldn’t imagine a live set that didn’t include “Chivalry and Sorcery,” and it marked the beginning of a shift toward less experimental writing, despite my initial reluctance.
Double the Archives, double the fun! I’ll be posting two of my most popular early tracks today, so please stay tuned a little later for the second one. “Darken Wood” originally appeared on The Lost City, adding a nice little dash of electro-funk to the latter portion of the album. Enjoy!
We’re going all the way back to the beginning for this week’s Project: Archives track. “A Time of Legends” originally appeared in my first song collection, Unearthed Arcana, and was the first ballad I ever wrote.
I’ve mentioned how much traditional Irish music has influenced and inspired me many times over the years. This week, Project: Archives goes international, revisting Eire, my sixth song collection. “Drunken Sailor” is a rambunctious, dexterity-testing little tune meant to get your feet tapping and the Guinness flowing. Slainte!
Sunlight filters through the glass entrance doors to Forest Fair Village’s “District B,” spilling across a polished wood plank floor. The short corridor is devoid of visitors, a handful of empty retail spaces on either side offering little reason to linger. A strange silence hangs in the air: there are no echoes of distant shoppers, not even the expected dull churning of the escalators to dispel the surreal solitude. As I turn the corner and gaze down what seems to be an endless, two-storied throughway illuminated brilliantly by arched skylights at the far end and decorated with an array of […]